
Dealertrack has the largest lender network serving automotive retail, as well as best in class transactional tools that help save time and gain efficiency.Leading technology solutions for the automotive industry. Dealertrack is the leading provider of on-demand dealership software for the auto industry, specializing in digital marketing, Sales and F&I tools, retailing, websites, CRM and DMS systems and Fixed Ops programs. Dealertrack has the largest lender network serving automotive retail, as well as best in class transactional tools that help save time and gain efficiency. My only complaint is the length - the final third seemed to drag a bit.Dealertrack is the leading provider of on-demand dealership software for the auto industry, specializing in digital marketing, Sales and F&I tools, retailing, websites, CRM and DMS systems and Fixed Ops programs. My favourite moments include Quilty's re-introduction to the film at the school's summer ball as the camera pans across the dancefloor and subtly reveals a look of comic ambivalence on his face as he dances with his lover, Humbert awkwardly trying to book the only remaining hotel-room at the police convention and Humbert again trying to teach the cynical Lolita the joys of Edgar Allen Poe's poetry. The said scene gives the film the same "circular structure" used by David Lean in "Brief Encounter". The opening scene (which is the ending of the film) is an outstanding testament to his talent and versatility. However, it is Sellars' performance as the creepy eccentric Clare Quilty (a relatively minor character in the book) that steals the show and, ultimately, makes the film. The three central characters of the novel are all portrayed more than adequately in the film James Mason as the smitten professor, Shelley Winters as the suburban widow with pretensions of culture and Sue Lyons as the young nymphet. Lolita is also rich in Kubrik's trademark dark humour.

He also raises the girl's age from 12 in the novel to 14 in the film. Kubrik manages to get round this by merely alluding to sexual encounters and subtle wordplay and symbolism creeps into several scenes.

Making a film that dealt with underage sex was considered impossible in 1962 due to the strict censorship regulations. 8/10 Kubrik's version of Nabokov's tale of a middle-aged professor's self-destructive obsession with a young schoolgirl.
